Forgot I had a blog HAHAHA
So here! Have some pics from Dragon*Con 2012! I went as Adelaide, as always. But it's been so long since HiNaBN's updated, and I just... get tired of the same costume with nothing new to go off of. Adelaide will always be my favorite, but she's more of a closet cosplay now.
And human!Pinkie Pie from My Little Pony
...with Doubting Salmon as my Twilight Sparkle
And revamped steampunk medic
And that was D*Con 2012! Shout out to my ducklings who got engaged on their 3-year anniversary of meeting at the Con. You know who you are, lovelies ;)
"The objective of life is not to be on the side of the majority, but to escape and find oneself in the lines of the madmen." - Marcus Aurelius
Showing posts with label cosplay. Show all posts
Showing posts with label cosplay. Show all posts
2/2/13
2/8/12
Penelope coat, part 2
Now for the pattern.
The most important thing to do before you even choose a pattern you want to use as a base is figure out how the article of clothing in question is put together, and what it looks like from all sides. This is my schematic that I taped up on my wall next to my sewing machine so it was easily accessible and look! Some references right there as well so I don't have to pull out my laptop every time I hit a stumbling block. Lots of things got added to this as I went along and realized that some things were just not going to work or could be done so much easier another way.
I also had to realize that this coat is from a movie. Some details just don't fly in the real world. Like, I cannot have my coat that close to the ground. It will get nasty walking around in an urban downtown environment, and the hobos I walk past on my way to school would probably take it as a personal challenge to step on it as much as possible or something. And I added pockets because, hello. I need pockets. Since the lining is sewn together with the outer layer all the way around the coat (meaning no gaps), having pockets between the two layers sometimes means the fabric bunches up oddly around my already large hips, but that's easily fixed by smoothing it down.
My base pattern is Butterick 5425, which is the same pattern I used for my Winterfresh coat. The seams along the front are almost princess seams, but not quite. So I used a pattern for princess seams on a dress to figure out how to modify the one for my coat. I was a little off, and as I noticed with my Winterfresh coat, I had to shorten the width of the shoulder seam by about an inch and a half (on the shoulder side, not the neck), but it all came together nicely.
Now, see how in these pictures, the coat is shorter in the front and longer in the back? All that means is I have to angle the hem. And that's a matter of simple math. If I know my pattern typically ends a little below my knees, then I add 3 inches (or however many you want) to the middle back seam, and angle it up through the various pieces to the side seam, which I will give the arbitrary value of zero. And from there, I angle the cut of the pattern even more, until I get to subtracting 3 inches from the very front panel where the coat overlaps. Make sense? It seems simple, doesn't it. That is, until you mess up by mistakenly angling one of your pattern panels the wrong direction. But since it's the bottom hem, all I had to do was fix the angle and try to make it even on both sides.
I initially cut out the sleeves exactly as their pattern suggested, but added length on the bottom to form the triangular bits (I think I measured it at 5 or 6 inches on each side, I don't remember), which would give you this:
But no. No, that is not what you do at all.
You see, shirt sleeve seams originate at the very middle underneath your armpit. That means, with your arms at your sides, the seam falls along the inside of your arm, facing your body. Those triangular pirate cuff things? Supposed to be down the back of your arm. Take a gander; see if I'm wrong.
She also has that trim going down the entire length of the sleeve, and I was like "...Oh hell no." So my orange trim is only around the triangular portion. That said, I had to redo my pattern for the sleeves. This took some creative thinking, since I'm not very spatially inclined, despite evidence to the contrary. What I came up with is this (in it's mock-up fabric):
For clarification, the dip there is the armpit area, and the hill is the part that covers the outside/topmost part of your shoulder. For you anatomy folks, that hill is the most lateral portion of your shoulder, as compared to, say, your sternum. That little hook looking thing at the edge of the dip portion of the pattern is something I added for stylistic effect. Feel free, in recreation, to cut it straight and say to hell with my fancy ways.
I'd planned on using bias tape to sew the lining and outer coat together at the hems, but this would leave the two layers without any other connecting points, which means room to move around and cause trouble for me by not matching up properly, bunching oddly, etc. To solve that, some of the "decorative" bias tape lines are sewn only to the purple fabric, and some are sewn through both the purple and the lining, to keep thing in place. So the decorative lines on the purple fabric-only came first, and those are the back princess seams, the not-actually seams-that-remind-me-of-Texas-and-cowboy-shirts at the top of the back, and the lines that form boxes around the pockets (and here you will notice that I deviated from the movie coat too, once I get the finished pictures up). Then came the decorative lines through both layers, and for that I had to make sure my seams for both layers lined up, which involves a lot of time, a hangar, patience, and being willing to look like a crazy person in front of your roommate's visiting family and/or pretending you're a ghost with a sheet over your head. Those seams are the princess seams at the front and the mid-back seam. I messed up on matching up the mid-back seam, but I will live with that mistake and own it.
Then I finished with all-around hem, of which I have already told you my woes, and mismatched buttons and button holes. For future reference: don not vary greatly in button size. Because then you have different size button holes, and it looks somewhat strange when your coat's just sitting there unbuttoned with one really big button hole next to one little one.
And finished pictures to come, once I actually get someone to take pics of me. For the record, I've been wearing this coat around campus for a couple weeks now, and I get tons of compliments. And it is awesome.
The most important thing to do before you even choose a pattern you want to use as a base is figure out how the article of clothing in question is put together, and what it looks like from all sides. This is my schematic that I taped up on my wall next to my sewing machine so it was easily accessible and look! Some references right there as well so I don't have to pull out my laptop every time I hit a stumbling block. Lots of things got added to this as I went along and realized that some things were just not going to work or could be done so much easier another way.
I also had to realize that this coat is from a movie. Some details just don't fly in the real world. Like, I cannot have my coat that close to the ground. It will get nasty walking around in an urban downtown environment, and the hobos I walk past on my way to school would probably take it as a personal challenge to step on it as much as possible or something. And I added pockets because, hello. I need pockets. Since the lining is sewn together with the outer layer all the way around the coat (meaning no gaps), having pockets between the two layers sometimes means the fabric bunches up oddly around my already large hips, but that's easily fixed by smoothing it down.
| #2 and the bottom pattern piece on the right are for the coat; the top piece on the right is for a princess seam on a dress. |
Now, see how in these pictures, the coat is shorter in the front and longer in the back? All that means is I have to angle the hem. And that's a matter of simple math. If I know my pattern typically ends a little below my knees, then I add 3 inches (or however many you want) to the middle back seam, and angle it up through the various pieces to the side seam, which I will give the arbitrary value of zero. And from there, I angle the cut of the pattern even more, until I get to subtracting 3 inches from the very front panel where the coat overlaps. Make sense? It seems simple, doesn't it. That is, until you mess up by mistakenly angling one of your pattern panels the wrong direction. But since it's the bottom hem, all I had to do was fix the angle and try to make it even on both sides.
I initially cut out the sleeves exactly as their pattern suggested, but added length on the bottom to form the triangular bits (I think I measured it at 5 or 6 inches on each side, I don't remember), which would give you this:
But no. No, that is not what you do at all.
You see, shirt sleeve seams originate at the very middle underneath your armpit. That means, with your arms at your sides, the seam falls along the inside of your arm, facing your body. Those triangular pirate cuff things? Supposed to be down the back of your arm. Take a gander; see if I'm wrong.
She also has that trim going down the entire length of the sleeve, and I was like "...Oh hell no." So my orange trim is only around the triangular portion. That said, I had to redo my pattern for the sleeves. This took some creative thinking, since I'm not very spatially inclined, despite evidence to the contrary. What I came up with is this (in it's mock-up fabric):
For clarification, the dip there is the armpit area, and the hill is the part that covers the outside/topmost part of your shoulder. For you anatomy folks, that hill is the most lateral portion of your shoulder, as compared to, say, your sternum. That little hook looking thing at the edge of the dip portion of the pattern is something I added for stylistic effect. Feel free, in recreation, to cut it straight and say to hell with my fancy ways.
I'd planned on using bias tape to sew the lining and outer coat together at the hems, but this would leave the two layers without any other connecting points, which means room to move around and cause trouble for me by not matching up properly, bunching oddly, etc. To solve that, some of the "decorative" bias tape lines are sewn only to the purple fabric, and some are sewn through both the purple and the lining, to keep thing in place. So the decorative lines on the purple fabric-only came first, and those are the back princess seams, the not-actually seams-that-remind-me-of-Texas-and-cowboy-shirts at the top of the back, and the lines that form boxes around the pockets (and here you will notice that I deviated from the movie coat too, once I get the finished pictures up). Then came the decorative lines through both layers, and for that I had to make sure my seams for both layers lined up, which involves a lot of time, a hangar, patience, and being willing to look like a crazy person in front of your roommate's visiting family and/or pretending you're a ghost with a sheet over your head. Those seams are the princess seams at the front and the mid-back seam. I messed up on matching up the mid-back seam, but I will live with that mistake and own it.
Then I finished with all-around hem, of which I have already told you my woes, and mismatched buttons and button holes. For future reference: don not vary greatly in button size. Because then you have different size button holes, and it looks somewhat strange when your coat's just sitting there unbuttoned with one really big button hole next to one little one.
And finished pictures to come, once I actually get someone to take pics of me. For the record, I've been wearing this coat around campus for a couple weeks now, and I get tons of compliments. And it is awesome.
Penelope Coat, part 1
Let me start off with materials.
The purple is sportswear twill, which is a heavier fabric good for coats, but not the wool blend I wanted. You just can't find wool blends in attractive colors. I knew I should've bought it when I found it over a year ago! And then the lining is a plain cotton print. I picked it because 1) I like floral patterns, and 2) it had traces of all the colors that would be present in the coat, and I also happen to think the slight green to it really emphasizes the purple. Not that a purple and orange coat necessarily needs any extra emphasizing.
The pattern I used calls for a little over 6 yards of fabric, ostensibly of each because the lining is almost the exact same as the outer layer of the coat. This will be different depending on if you get 45" or 60" bolts of fabric and will vary if you tweak patterns like I do. I got the very last of this fabric at the store, and it barely counted as 6 yards, so I said FUCK GRAIN LINES and just cut the pieces out however they best fit, so even though I fucked up the sleeves the first time around and had to cut them out again, I still ended up with somewhere between half a yard and a yard left of the purple fabric. So in a pinch, or if you don't know what grain lines are, you can make this coat in about 5 yards of fabric.
Upon further inspection of references, this gem popped up, you know, after I'd already bought my fabrics. But you know what? I don't really like the print they used for the lining in the movie coat. I'll take my granny floral prints any day.
The bias tape I used was carrot orange, because the regular orange looked fluorescent against the purple. I want to be able to work this coat, not blind and horrify people with it. But apparently, carrot orange is not a popular selling item. I grossly underestimated how much I would need and ended up buying some from Hancock Fabrics online, and then made my own when I was about a yard short at the very end. Let me explain.
For this coat, I needed both single fold bias tape and double fold extra wide bias tape. The double fold was for the hems - i.e., all around the bottom and edges of the collar and sleeves, and it's extra wide so that it matches the size of the single fold when I lay it out flat to sew onto the seam lines. And so the single fold was for this "decorative" trim on the seam lines - i.e., the princess seams, etc. By the very end of this coat, I was missing about a yard of double fold bias tape that would go at the very middle back of the coat along the bottom hem. So I took Quilting Tape (which is like SUPER double wide bias tape) and made my own and finished it. Like a boss. So, I think, altogether, you'd need about 3 or 4 packages of the single fold bias tape, and 3 or 4 of the double fold. Keep in mind there are 4 yards to each package of single fold, and only 3 yards to each package of double fold.
Next up: how to modify your pattern, fuck it up, and then get it right. Hopefully without too much of an incident.
The purple is sportswear twill, which is a heavier fabric good for coats, but not the wool blend I wanted. You just can't find wool blends in attractive colors. I knew I should've bought it when I found it over a year ago! And then the lining is a plain cotton print. I picked it because 1) I like floral patterns, and 2) it had traces of all the colors that would be present in the coat, and I also happen to think the slight green to it really emphasizes the purple. Not that a purple and orange coat necessarily needs any extra emphasizing.
The pattern I used calls for a little over 6 yards of fabric, ostensibly of each because the lining is almost the exact same as the outer layer of the coat. This will be different depending on if you get 45" or 60" bolts of fabric and will vary if you tweak patterns like I do. I got the very last of this fabric at the store, and it barely counted as 6 yards, so I said FUCK GRAIN LINES and just cut the pieces out however they best fit, so even though I fucked up the sleeves the first time around and had to cut them out again, I still ended up with somewhere between half a yard and a yard left of the purple fabric. So in a pinch, or if you don't know what grain lines are, you can make this coat in about 5 yards of fabric.
Upon further inspection of references, this gem popped up, you know, after I'd already bought my fabrics. But you know what? I don't really like the print they used for the lining in the movie coat. I'll take my granny floral prints any day.
The bias tape I used was carrot orange, because the regular orange looked fluorescent against the purple. I want to be able to work this coat, not blind and horrify people with it. But apparently, carrot orange is not a popular selling item. I grossly underestimated how much I would need and ended up buying some from Hancock Fabrics online, and then made my own when I was about a yard short at the very end. Let me explain.
For this coat, I needed both single fold bias tape and double fold extra wide bias tape. The double fold was for the hems - i.e., all around the bottom and edges of the collar and sleeves, and it's extra wide so that it matches the size of the single fold when I lay it out flat to sew onto the seam lines. And so the single fold was for this "decorative" trim on the seam lines - i.e., the princess seams, etc. By the very end of this coat, I was missing about a yard of double fold bias tape that would go at the very middle back of the coat along the bottom hem. So I took Quilting Tape (which is like SUPER double wide bias tape) and made my own and finished it. Like a boss. So, I think, altogether, you'd need about 3 or 4 packages of the single fold bias tape, and 3 or 4 of the double fold. Keep in mind there are 4 yards to each package of single fold, and only 3 yards to each package of double fold.
Next up: how to modify your pattern, fuck it up, and then get it right. Hopefully without too much of an incident.
1/15/12
Penelope Coat
So my next big project is this coat:
It's from the movie Penelope, featuring Christina Ricci and James Mcavoy.
I read somewhere that the ladies in charge of costume design were told to make a coat that looked like it belonged in a fairytale first of all, because that's what Penelope is, and secondly like someone took everything they thought would look cool and put it into one coat, with crazy colors and imperfect trim and somehow it all works. These ladies finished the coat literally right before they put it on Christina Ricci's body and sent her off to start filming, praying that it would fit.
I've already started, so of course after I've got all my materials, more close-up pics show up on the web. I'm making it mostly accurate to the movie coat, but there are some things that just have to change, either because I didn't have good reference shots to begin with, or out of necessity. My lining is different, but really, whatever. Second, it may be fine for someone to run around a movie set with a floor length coat, but that's actually dangerous and infuriating in real life. Especially if you're like me and live in a downtown urban environment where you really don't want to know what you just stepped in on the street. So my coat is shorter. Some of the orange trim to the seams are different, mostly because I didn't have good refs but also because I couldn't be bothered, and the buttons are going to be different but just as mismatched as the original.
So if you're still reading this, let's see how this goes, shall we?
It's from the movie Penelope, featuring Christina Ricci and James Mcavoy.
I read somewhere that the ladies in charge of costume design were told to make a coat that looked like it belonged in a fairytale first of all, because that's what Penelope is, and secondly like someone took everything they thought would look cool and put it into one coat, with crazy colors and imperfect trim and somehow it all works. These ladies finished the coat literally right before they put it on Christina Ricci's body and sent her off to start filming, praying that it would fit.
I've already started, so of course after I've got all my materials, more close-up pics show up on the web. I'm making it mostly accurate to the movie coat, but there are some things that just have to change, either because I didn't have good reference shots to begin with, or out of necessity. My lining is different, but really, whatever. Second, it may be fine for someone to run around a movie set with a floor length coat, but that's actually dangerous and infuriating in real life. Especially if you're like me and live in a downtown urban environment where you really don't want to know what you just stepped in on the street. So my coat is shorter. Some of the orange trim to the seams are different, mostly because I didn't have good refs but also because I couldn't be bothered, and the buttons are going to be different but just as mismatched as the original.
So if you're still reading this, let's see how this goes, shall we?
D*Con updated
Well, so. Four months later, here I am! I don't have an excuse. But I did get a tumblr right before finals last semester. That's... pretty self-explanatory, really. Life, where did you go?
So here's me as Adelaide at D*Con, with the obligatory Connie in Worth's coat:
I've only got one pic of my steampunk outfit, and I'm sitting down with my badge and my cellphone all hanging out in the picture. I'm kind of retarded like that.
I made a gunbelt with spots for test tubes instead of bullets! :D I messed up one part of the actual gun holster, but I was so fucking proud, I can't even. And then I was supposed to have khaki/tan shorts, but they wouldn't stay sewed together, so I borrowed a friend's orange skirt. It worked out rather well, I think.
And then there's the joint cosplay Salmon and I did: a friend's artwork of horoscopes. Salmon chose Gemini, and I chose Scorpio. The original artwork and characters belong to Lyndz, or asiaoddhours on DA.
So much blue.
So here's me as Adelaide at D*Con, with the obligatory Connie in Worth's coat:
I've only got one pic of my steampunk outfit, and I'm sitting down with my badge and my cellphone all hanging out in the picture. I'm kind of retarded like that.
I made a gunbelt with spots for test tubes instead of bullets! :D I messed up one part of the actual gun holster, but I was so fucking proud, I can't even. And then I was supposed to have khaki/tan shorts, but they wouldn't stay sewed together, so I borrowed a friend's orange skirt. It worked out rather well, I think.
And then there's the joint cosplay Salmon and I did: a friend's artwork of horoscopes. Salmon chose Gemini, and I chose Scorpio. The original artwork and characters belong to Lyndz, or asiaoddhours on DA.
So much blue.
8/1/11
D*Con Menu
Dragon*Con is a month away. So here's the set list:
There is, of course, going to be Adelaide from HiNABN. I remade my hoodie out of plain cotton (think the material dress shirts are made of), so that I won't die in the heat. I may have accidentally used white thread on the pockets. We'll see if I can cover up that particular boo-boo before it makes its appearance.
Then, there's Marceline the Vampire Queen from Adventure Time. I'll be in her outfit from the Nightosphere episode, and guys. I can play the Fries Song. I'd take a functioning guitar, but I'd rather make a prop to match the outfit, so. But there still may be a recording on Youtube in my future. Just for the giggles.
Then there's my Steampunk Medic, who's design is getting a re-haul and some pants. Can I vote a hell yes to the pants? Because I am. She's also getting a gun.
And then there's my SUPER SEKKRET cosplay, which coordinates with Salmon's, cos we're dorks like that, that I'm not allowed to post in-progress shots of it or drop hints or ANYTHING, REALLY. It's all very pouty-face, because this is the outfit that's taken the most work, and I am seriously proud of all that work! The only problem I've run into so far is the wig. Lord, don't even get me started. It also appears that I have too much hair. It won't all fit under the wig. I'm going to assume it's just a smaller wig than I normally get, because I do have problems with my other wigs, but not like this. I wish I was kidding. I'm like "OBVIOUSLY the solution is to chop off my hair!" but I have been working really hard to grow it out an be healthy and stuff, so no. I am not giving up on long hair just yet. But I may have to give up on wigs. It's sad, really.
ANYWAY, that's what's on the menu for D*Con. Can't wait to get back to Atlanta and see everybody!
There is, of course, going to be Adelaide from HiNABN. I remade my hoodie out of plain cotton (think the material dress shirts are made of), so that I won't die in the heat. I may have accidentally used white thread on the pockets. We'll see if I can cover up that particular boo-boo before it makes its appearance.
Then, there's Marceline the Vampire Queen from Adventure Time. I'll be in her outfit from the Nightosphere episode, and guys. I can play the Fries Song. I'd take a functioning guitar, but I'd rather make a prop to match the outfit, so. But there still may be a recording on Youtube in my future. Just for the giggles.
![]() |
| Salmon's going to be the Princess Bubblegum to my Marceline, so look out for us! |
And then there's my SUPER SEKKRET cosplay, which coordinates with Salmon's, cos we're dorks like that, that I'm not allowed to post in-progress shots of it or drop hints or ANYTHING, REALLY. It's all very pouty-face, because this is the outfit that's taken the most work, and I am seriously proud of all that work! The only problem I've run into so far is the wig. Lord, don't even get me started. It also appears that I have too much hair. It won't all fit under the wig. I'm going to assume it's just a smaller wig than I normally get, because I do have problems with my other wigs, but not like this. I wish I was kidding. I'm like "OBVIOUSLY the solution is to chop off my hair!" but I have been working really hard to grow it out an be healthy and stuff, so no. I am not giving up on long hair just yet. But I may have to give up on wigs. It's sad, really.
ANYWAY, that's what's on the menu for D*Con. Can't wait to get back to Atlanta and see everybody!
3/27/11
Lily de Mauvoisin
So: MomoCon! MomoCon is a free convention in ATL, GA on GA Tech campus, so. Needless to say, it is not very far away, and this was my third year in a row. All my lovely Hannafags from Dragon*Con this past year, and LOTS of other people besides came, all dressed as HiNaBN characters. BUT THAT IS FOR ANOTHER POST.
The 4 D*Con-ers (myself included) decided we'd go have a picnic in Oakland Cemetery the Friday before MomoCon. Two other people came along with one of them (mostly I think because she couldn't get rid of them), but we still had lots of fun. Since it's a con, and we never actually need any excuse to dress up (but there's one anyway), we decided to swap original characters. I... do not have any. The two girls who don't live in GA swapped characters, and Salmon went as her character Adam. I thought it was lame that I couldn't think of what to do, but then I remembered this little gem that Salmon commissioned for herself from Lyndsey on dA:
Her name is Lily de Mauvoisin, and she was Adam's first wife (feel free to hit me and correct me if I'm wrong, Salmon). That dress is in NO WAY historically accurate, but I do have a hoop skirt and I'd just ordered me some fancy white lace-up boots, so I thought, What the hell, why not? So! I snuck around LIKE A GREAT BIG SNEEKYPANTS to make sure I could actually pull this off (and really, that was silly, because I can always pull anything and everything off if I try), and I had the whole skirt portion done minus the lacing in the back by the time spring break was over.
Now, I used McCall's 6097 for that skirt, with some ornamentation on the front contrast portion, and I made it unnecessarily complicated by trying to make it look like it had layers to the skirts without it actually having anyway, when no one notices these details but me. Then, I was going to go with the top in the pattern, but I felt the bodice in the commission art would better translate to a buttoned front, based on how the shirt splits in the front (although now, looking at it, I could probably get away with saying the bodice just comes to a point). So I went back to my standard lolita pattern, drew the lines in from the contrast portion of the bodice pattern from M6097, but kept the back of the bodice the same, minus the lacing, and somehow managed to finagle the top out. The sleeves... well, let's just say the sleeves had no pattern, and are really just giant circles with a lot of elastic bunching it together. I was so afraid they weren't going to be long enough, and I had no more time or money for more fabric. BUT! It somehow managed to all work out beautifully in the end.
So I added in my mother's blonde wig (which I didn't realize had glitter in it until we got to the MARTA station and Salmon was like, "WHY ARE YOU GLITTERING ON ME? WE ARE NOT THOSE SORT OF VAMPIRES."), and I ordered the feather fascinator/hair piece from someone who's work I really trust on Etsy. I made the bow on the front of the bodice with double wide ribbon tape stuff (idk, I got it from my mother's bag of tricks), and the hair bows on alligator clips that went on my shoes. I also decided the night before, somewhere around midnight, that I wanted a plain petticoat to go under the hoop skirt and over my knee-length bloomers (which are not very opaque at all, and btw, totally made those for this dress too), aaaand I ran out of white thread just as I started to sew it together. And then I ran out of the light purple I had been using for the rest of the dress and had to use yellow. And then I gave up with the waistband portion, and it looks TERRIBLE, but you don't ever see it anyway :P
And there you have it. You wouldn't recognize either of us walking down the street based on these pictures, since we are that good at disguising ourselves (or at least Salmon is), so I'm not apologizing for giving away my non-existent secret identity with a mass overdose of pic-spamming.
The 4 D*Con-ers (myself included) decided we'd go have a picnic in Oakland Cemetery the Friday before MomoCon. Two other people came along with one of them (mostly I think because she couldn't get rid of them), but we still had lots of fun. Since it's a con, and we never actually need any excuse to dress up (but there's one anyway), we decided to swap original characters. I... do not have any. The two girls who don't live in GA swapped characters, and Salmon went as her character Adam. I thought it was lame that I couldn't think of what to do, but then I remembered this little gem that Salmon commissioned for herself from Lyndsey on dA:
Her name is Lily de Mauvoisin, and she was Adam's first wife (feel free to hit me and correct me if I'm wrong, Salmon). That dress is in NO WAY historically accurate, but I do have a hoop skirt and I'd just ordered me some fancy white lace-up boots, so I thought, What the hell, why not? So! I snuck around LIKE A GREAT BIG SNEEKYPANTS to make sure I could actually pull this off (and really, that was silly, because I can always pull anything and everything off if I try), and I had the whole skirt portion done minus the lacing in the back by the time spring break was over.
Now, I used McCall's 6097 for that skirt, with some ornamentation on the front contrast portion, and I made it unnecessarily complicated by trying to make it look like it had layers to the skirts without it actually having anyway, when no one notices these details but me. Then, I was going to go with the top in the pattern, but I felt the bodice in the commission art would better translate to a buttoned front, based on how the shirt splits in the front (although now, looking at it, I could probably get away with saying the bodice just comes to a point). So I went back to my standard lolita pattern, drew the lines in from the contrast portion of the bodice pattern from M6097, but kept the back of the bodice the same, minus the lacing, and somehow managed to finagle the top out. The sleeves... well, let's just say the sleeves had no pattern, and are really just giant circles with a lot of elastic bunching it together. I was so afraid they weren't going to be long enough, and I had no more time or money for more fabric. BUT! It somehow managed to all work out beautifully in the end.
So I added in my mother's blonde wig (which I didn't realize had glitter in it until we got to the MARTA station and Salmon was like, "WHY ARE YOU GLITTERING ON ME? WE ARE NOT THOSE SORT OF VAMPIRES."), and I ordered the feather fascinator/hair piece from someone who's work I really trust on Etsy. I made the bow on the front of the bodice with double wide ribbon tape stuff (idk, I got it from my mother's bag of tricks), and the hair bows on alligator clips that went on my shoes. I also decided the night before, somewhere around midnight, that I wanted a plain petticoat to go under the hoop skirt and over my knee-length bloomers (which are not very opaque at all, and btw, totally made those for this dress too), aaaand I ran out of white thread just as I started to sew it together. And then I ran out of the light purple I had been using for the rest of the dress and had to use yellow. And then I gave up with the waistband portion, and it looks TERRIBLE, but you don't ever see it anyway :P
![]() |
| Salmon has affectionately captioned this photo "Huge...tracks of land!" |
![]() | |
| Lily and Adam (me and Salmon): a spat between partners that has been going on for centuries (I'm totally trying my hardest not to crack up laughing there) |
![]() |
| Sitting in hoop skirts is hard :( Here you can see my extra petticoat, and my boots |
![]() |
| My boots :) |
11/18/10
Gallahad Shirt
So, as you can probably tell, I love Hanna is Not A Boy's Name. I should probably make a tag for that. Moving on!
This guy's name is... well, he doesn't remember. He's been dead for about a decade, give him a break. So Hanna makes up names for him - it's a new one every day with this guy, seriously! But we love it. The one that's stuck in fannon the most is Gallahad - but with only one "l". I just like the way it looks with two better. Anyway, that orange shirt is pretty distinctive, hey? And you can't go out and find orange shirts just anywhere. So I made my own. This is the last button-down I ever make, until I inevitably make the next one.
I always make the worst faces when I'm getting my picture taken >:( So this is pretty obviously a fem-version of zombie's shirt, but it's got everything! ...Plus some pompous cuffs. I was having a bad day, and ridiculously over-sized cuffs made me feel better, so there they are. I used the Simplicity Threads pattern 3684 (the same one I used for the bib-ed lolita shirt, but without the bib option). I kind of made up the cuffs without a pattern, and guys. YOU GUYS. I was literally down to SCRAPS trying to get all the pieces for this pattern. Also, I said when I made the lolita shirt that I would make that collar part smaller (because, believe it or not, it's actually included in this type of collared shirt too). I didn't this time, and it's kind of strange, but the collar is HUGE, and I kind of like it. And the black tie is purchased. I am not that awesome.
So naturally, I went outside to the courtyard with a friend and we took pictures.
And there you have it!
This guy's name is... well, he doesn't remember. He's been dead for about a decade, give him a break. So Hanna makes up names for him - it's a new one every day with this guy, seriously! But we love it. The one that's stuck in fannon the most is Gallahad - but with only one "l". I just like the way it looks with two better. Anyway, that orange shirt is pretty distinctive, hey? And you can't go out and find orange shirts just anywhere. So I made my own. This is the last button-down I ever make, until I inevitably make the next one.
I always make the worst faces when I'm getting my picture taken >:( So this is pretty obviously a fem-version of zombie's shirt, but it's got everything! ...Plus some pompous cuffs. I was having a bad day, and ridiculously over-sized cuffs made me feel better, so there they are. I used the Simplicity Threads pattern 3684 (the same one I used for the bib-ed lolita shirt, but without the bib option). I kind of made up the cuffs without a pattern, and guys. YOU GUYS. I was literally down to SCRAPS trying to get all the pieces for this pattern. Also, I said when I made the lolita shirt that I would make that collar part smaller (because, believe it or not, it's actually included in this type of collared shirt too). I didn't this time, and it's kind of strange, but the collar is HUGE, and I kind of like it. And the black tie is purchased. I am not that awesome.
So naturally, I went outside to the courtyard with a friend and we took pictures.
And there you have it!
11/17/10
The Scarlet Witch
One of my favorite characters of all time is the Scarlet Witch from the Marvel universe. Her real name is Wanda Maximoff, sister to Pietro (or Quicksilver), and daughter of Magneto. At least one of those names should sound familiar to you. She's one of the original Avengers, and she originally had the power to manipulate possibilities, which was later explained as chaos magic, and which now has developed into the ability to warp reality to her every whim, which caused a fine fiasco in the form of House of M.
Wanda's outfit has some variations, and this is Marvel, so you have to deal with alternate reality versions of everything on top of that. Knowing this, I wanted to go with her classical, older look, but without the pink bodysuit (just the tights), because no. And that classical look is what she's shown wearing in Children's Crusade, anyway :3
I don't even want to go into how much research I did the cape just to get it to fall right. Suffice to say: pleat, don't ruffle, capes. It looks better that way. I decided on a cowl neck, but no. I know better now. The headpiece was made out of red vinyl fabric (it's just one piece, cut out at once) with black elastic around the back.
I really liked the shorter gloves better, but I ended up going with opera-length, because they're easier to find. I tried making the ones I wanted SO MANY TIMES, but the universe, it seems, hated me. The boots are standard red superhero boots that I bought off eBay. I didn't have the time to figure out a strapless bustier/leotard thing, so I bought a bathing suit (which I didn't initially realize had an embossed pattern all over it, thanks eBay) and took it in between the breast a bit to get that look (you know that look). And so here it is, in all it's glory:
Pictures were taken Halloween weekend, since I'm an idiot and only wore it for 2 or 3 hours that Monday of Dragon*Con, and didn't get anyone to take a picture of me with my camera. And I am definitely waiting for another costume to come along that can utilize these boots.
Wanda's outfit has some variations, and this is Marvel, so you have to deal with alternate reality versions of everything on top of that. Knowing this, I wanted to go with her classical, older look, but without the pink bodysuit (just the tights), because no. And that classical look is what she's shown wearing in Children's Crusade, anyway :3
![]() |
| Old-school Wanda |
![]() |
| New-school Wanda |
| This was before the elastic, so I'm just holding to my head, lol |
Pictures were taken Halloween weekend, since I'm an idiot and only wore it for 2 or 3 hours that Monday of Dragon*Con, and didn't get anyone to take a picture of me with my camera. And I am definitely waiting for another costume to come along that can utilize these boots.
11/16/10
Black Canary
Continuing with outfits from Dragon*Con, here's Black Canary. She's a super heroine from the DC verse, hangs around in Gotham City, and is featured in Birds of Prey. Technically, this is the daughter who picked up her mother's mantle. Some references:
I ordered a turtleneck, sleeveless leotard off ebay. It zipped down the back and didn't have the princess seams, so I tried to alter it and fudged up the whole thing. So then I used what I had already cut as the basis for a pattern, and made my own leotard.
I already had black boots, and bought black leather gloves, which I unfortunately don't have a picture of. I didn't want to ruin the gloves with those gold plates, so I found the PERFECT trim at Hancock's, cut it down to the sizes I wanted, put each piece on a length of 1/4" elastic, and slipped them on over the boots and gloves.
I didn't have a motorcycle jacket, nor any leather (that stuff's expensive!), so instead I took a green jacket I had that I never wore, cut the sleeves down to 3/4 length, cropped the bottom, and dyed it black. I didn't get any pictures from Dragon*Con, but I did get some from Halloween:
I already had black boots, and bought black leather gloves, which I unfortunately don't have a picture of. I didn't want to ruin the gloves with those gold plates, so I found the PERFECT trim at Hancock's, cut it down to the sizes I wanted, put each piece on a length of 1/4" elastic, and slipped them on over the boots and gloves.
I didn't have a motorcycle jacket, nor any leather (that stuff's expensive!), so instead I took a green jacket I had that I never wore, cut the sleeves down to 3/4 length, cropped the bottom, and dyed it black. I didn't get any pictures from Dragon*Con, but I did get some from Halloween:
Adelaide Hoodie
I went to Dragon*Con for the first time this past Labor Day weekend, and met so many amazing people. On Friday, I went as Adelaide from the webcomic Hanna is Not A Boy's Name, created by the wonderful Tessa Stone (middle):
The comic panel:
![]() |
Subscribe to:
Comments (Atom)

































